Totus Tuus––Women's A Capella Vocal Ensemble

Find a music video of Totus Tuus at

The title is a Latin phrase meaning "totally thine" from the Marian consecrating prayer found in the book True Devotion to Mary by Saint Louis de Montfort. This song sets the entire prayer with the addition of Ad Jesum per Mariam.  Totus Tuus was St. John Paul II's apostolic motto. He once recalled how as a young seminarian he "read and reread many times and with great spiritual profit" some writings of Saint Louis de Montfort and that: "Then I understood that I could not exclude the Lord's Mother from my life without neglecting the will of God-Trinity".

In 1987, Henryk Górecki composed a choral piece (Totus Tuus Op. 60) to celebrate the Pope's third pilgrimage to his native Poland that summer. While the motet opens with the same words as the apostolic motto, the piece actually uses a poem by Maria Boguslawska for its text.

Totus tuus ego sum
et omnia mea tua sunt.
Accipio te in mea omnia!
Praebe mihi cor tuum, Maria.
Ad Jesum per Mariam.

I am entirely yours,
and all that I have is yours.
Be my guide in all things
O Mary, give me your heart.
To Jesus through Mary.


Absolutely beautiful a cappella

Lumen Hilare sings with voices of angels. A nice, balanced blend that calms the soul. I went to the internet to read more about St. Louis de Montfort and Maria Boguslawska. Hardly anything in English can be found about Maria. I found this at Wikepedia about St. Louis de Montfort:
"While the saint is best known for his spiritual writings, he was also a poet and during his missions managed to compose more than 20,000 verses of hymns. Montfort’s hymns and canticles were, for the most part, meant to be sung in village churches and in the homes of the poor. Some authors argue that a reading of Saint Louis’s hymns is essential for an understanding of him as a man and for appreciating his approach to spirituality. Based on the analysis of Bishop Hendrik Frehen of the Company of Mary, Montfortian hymns fall into two major categories: "inspired" and "didactic." The inspired canticles flow spontaneously, on the occasion of a pilgrimage to a Marian shrine, or on the occasion of a joyful celebration. The didactic hymns took more effort and time to compose, and focus on instructional and informative qualities: they teach the audience through the use of a moral and a theme. After Montfort's death, the Company of Mary (which continued his work of preaching parish renewals) made great use of his hymns and used them as instruments of evangelization."

And I read this about Henryk Górecki:órecki
"Henryk Mikołaj Górecki was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Górecki. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw..."

Thanks for sharing. Looking forward to more recorded pieces.

Richard Schletty | Schletty Design and Music |

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