Subject: Good Friday

Not Guilty

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I Commend My Spirit (Psalm 31)

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Dramatic setting of Psalm 31 that is sung on Good Friday has been scored for a variety of arrangements. Accessible and appropriate for any church setting.

He Died Of A Broken Heart

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Tender yet powerful hymn that is scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Especially can be used during Palm Sunday, Holy Week, Good Friday and Tenebrae service.

Responsorial Psalm 30(31):2,6,12-13,15-17,25 for Good Friday 2024 - Father, Into Your Hands I Commend My Spirit

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Responsorial Psalm 30(31):2,6,12-13,15-17,25 for Good Friday

Father, into your hands I commend my spirit.

In you, O Lord, I take refuge.
Let me never be put to shame.
In your justice, set me free,
Into your hands I commend my spirit.
It is you who will redeem me, Lord.

Father, into your hands I commend my spirit.

Good Friday

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Sorrowful and passionate hymn that describes the events that took place on Good Friday from Jesus' walk to down the Via Dolorosa to the Crucifixion. Scored for a variety of arrangements. Accessible and appropriate for any church or concert setting.

Good Friday Cantata

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Powerful song that sings of the last hours of Jesus starting from Gethsemane to His Crucifixion.

O Mother! Most Afflicted

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It Is Finished

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Powerful and dramatic song for Good Friday or can be used in a Tenebrae service. Scored a variety of arrangements. Accessible and appropriate for any church or concert setting.

Oh, What Deep Woes (Pieta, Mater Dolorosa)

Sorrowful hymn about the Blessed Virgin Mary when looking upon the body of her Son, Jesus dying on the Cross. Scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Used especially during Holy Week, Good Friday.

The Wood of the Cross

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Based on Isaiah 53, this Holy Week/Good Friday anthem is scored for a variety of arrangements. Accessible and appropriate for any church setting.

Pilate's Reckoning

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In Dreams of Warning

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Pilate’s wife has one plea: “Do not touch him, do not judge him.” This powerful solo, “In Dreams of Warning,” imagines the dream she could not ignore — a vision of Christ before the crucifixion, seen through a woman’s eyes who tried to stop it. Suitable for Lent, Holy Week, or solo performance

Only Passing Through

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When the Rooster Cried

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He Loved Them Still

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The Kiss of Betrayal

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What Have We Done?

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Tender and reflective piece that asks us what we have done so that Jesus had to die on the cross. Scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used for certain times throughout the liturgical year but especially on Palm Sunday, Holy Week, Good Friday.

Father, Into Your Hands

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Based on Psalm 31, this setting is appropriate for Good Friday, Palm Sunday or any Tenebrae Service. Scored for a variety of arrangements.

Father, Into Your Hands I Commend My Spirit

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Contemplative and meditative song for Holy Week or Good Friday that is scored for a variety of arrangements. Accessible and appropriate for any church or concert setting.

The Agony In The Garden

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A meditative piano solo that is featured in the piano series "The Rosary" - meditative piano solos that are to be played as background music while people are praying the Rosary. This piece can easily be used for any prelude or as a meditation for any church service.

My Song Is Love Unknown

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When I Survey The Wondrous Cross

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Tender and sorrowful hymn that is appropriate for the season of Lent, Palm Sunday, Holy Week or Good Friday.

Not Of This World

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A dramatic and introspective solo from the perspective of Pontius Pilate, Not of This World captures the quiet unraveling of a man caught between earthly authority and eternal truth. Ideal for Tenebrae services or staged Passion works, it gives voice to Pilate’s haunted reflection as he questions Jesus—and ultimately, himself. Scored for a Baritone or Tenor solo with Piano accompaniment.

He Looked At Me

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He Looked At Me: A dramatic, introspective solo from the viewpoint of Pontius Pilate during his first encounter with Jesus. The song explores the silent authority of Christ and the moral discomfort of the judge who feels judged. A powerful choice for Holy Week dramas or Passion-themed reflections. Scored for a Baritone or Tenor solo with Piano accompaniment.
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